I got a chance to check out Maker Faire with Christine on Sunday and we had our picture taken at the eSurance photobooth. They didn’t give us much time, but I’m still proud I managed to spell out “BOOB” before the flash went of.
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I got a chance to check out Maker Faire with Christine on Sunday and we had our picture taken at the eSurance photobooth. They didn’t give us much time, but I’m still proud I managed to spell out “BOOB” before the flash went of.
I’m so honored to have a full page in this month’s Wired magazine (June 2012, with Adam Savage on the cover). It’s an article about me and four of my favorite iPhone photography apps: Camera+, AntiCrop, Decim8, & Filterstorm.
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Sometimes you fuck up. Your film is too old, shots to exposed, or maybe you even opened your camera halfway through a roll of film. With this batch of film, I pretty much did all of these things… but I’m glad I decided to process it anyways. The shot above, of my friend Isaac Fitzgerald, was the victim of this opened roll, luckily the film was partially retracted into the canister, so only part of the film got exposed to light, leaving the appearance of Isaac running into the sun.
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A year back I was lucky enough to have a feature story in the New York Times about my mobile photography and Instawalk projects. I’m extremely thrilled to announce that the Times is now using some of my photos and work in their national advertising! I’ve already been hearing from friends that they spotted my photo mixed in with other commercials on a national station. I know advertising isn’t super awesome, but at least it’s better than that god damned “It’s not a girl, it’s bacon” ad that runs 24/7 on Comedy Central. There’s also an artist-centric landing page on the Times that links to my how-to series.
This batch of film is the first (successful) batch that I developed myself. Actually, it was developed by Christine and myself at the Noisebridge dark room. The pics are from the show opening at the Lomography Gallery, a beach in San Jose, and Ellis St just outside our office. It was shot on Kodak’s Tri-X film (which I fucking love!) on my new LCA cam (which I also love!). Can’t wait to see how Tri-X performs in my GR1.